Music of the Absurd? Thoughts on recent Kagel
Identifieur interne : 000254 ( Main/Exploration ); précédent : 000253; suivant : 000255Music of the Absurd? Thoughts on recent Kagel
Auteurs : Ian PaceSource :
- Tempo [ 0040-2982 ] ; 1997-04.
Abstract
In recent years, Europe has seen numerous retrospectives of the music of Mauricio Kagel. The last such in Britain was the 1995 Huddersfield Festival; since then a handful of his works have been performed in London. In tandem, Disques Montaigne have been steadily issuing their Kagel edition, which currently stands at eight volumes: the first four were reviewed by Antony Bye (and the first also by Nicolas Hodges) in Tempo 188. In a similar manner to recent retrospectives of Stockhausen and Nono, the focus has been upon the work of the last 10–20 years, perhaps not least because of the many country premières then available, but maybe because of a fashionable tendency to treat music of the 1960s and early 1970s as rather passé.
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DOI: 10.1017/S0040298200048415
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<front><div type="abstract" xml:lang="en">In recent years, Europe has seen numerous retrospectives of the music of Mauricio Kagel. The last such in Britain was the 1995 Huddersfield Festival; since then a handful of his works have been performed in London. In tandem, Disques Montaigne have been steadily issuing their Kagel edition, which currently stands at eight volumes: the first four were reviewed by Antony Bye (and the first also by Nicolas Hodges) in Tempo 188. In a similar manner to recent retrospectives of Stockhausen and Nono, the focus has been upon the work of the last 10–20 years, perhaps not least because of the many country premières then available, but maybe because of a fashionable tendency to treat music of the 1960s and early 1970s as rather passé.</div>
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